Harriet Beecher Stowe
ca. 1870s - 1880s
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Harriet Beecher Stowe, seen in this image from the 1870s-80s, was an abolitionist, author, and figure in the woman suffrage movement. She wrote more than 20 books and was influential both for her writing and her public stance on social issues of the day.
Her most known work, Uncle Tom’s Cabin (1852), was a depiction of life for enslaved people in the mid-19th century. It energized antislavery forces in the North and provoked widespread anger in the South.
After Congress passed the Fugitive Slave Act in 1850, which punished anyone who offered food or temporary shelter to enslaved people who ran away, and following the loss of her 18-month-old son, Samuel, Stowe was inspired to write about slavery. She used the personal accounts of formerly enslaved people to write her antislavery novel, Uncle Tom’s Cabin: or, Life Among the Lowly. When it first appeared in installments in the abolitionist newspaper The National Era between June 5, 1851 and April 1, 1852, it met with hostility by slavery proponents.
Stowe expected that she would write the story in three or four installments, but she eventually wrote more than 40. The novel Uncle Tom’s Cabin was then published as a two-volume book in 1852. It was a best seller in the United States, Britain, and Europe and was translated into over 60 languages.
The book received both high praise and harsh criticism and propelled Stowe and the issue of slavery into the international spotlight. Slavery proponents argued that the novel was nothing more than abolitionist propaganda. In the South, and in the North too, people protested that the depiction of slavery had been melodramatically twisted. Southerners particularly promoted the idea that the institution of slavery was benevolent and benign. Responding to charges that the book was a distortion, Stowe published another book, A Key to Uncle Tom’s Cabin, which documented the actual cases upon which her book was based to refute critics’ claims that her work was fabricated and based on supposition.
Later, Stowe embraced woman suffrage and briefly considered an alliance with Susan B. Anthony and Elizabeth Cady Stanton, who tried in 1869 to recruit her to write for their newspaper, The Revolution. Stowe declined the partnership, but eventually developed a deeper empathy for the women’s rights movement and the activities of the suffragists. She wrote a series for the Atlantic, and in one installment, she wrote, “The question of Woman and her Sphere is now, perhaps, the greatest of the age....If the principles on which we founded our government are true, that taxation must not exist without representation, and if women hold property and are taxed, it follows that women should be represented in the State by their votes, or there is an illogical working of our government.”
Throughout her life, Stowe used literature to shape public opinion and leaned on her own experiences as a woman and a mother. She was keenly aware of racial differences and regional customs, and it translated into her distinct influence on the American experience. Writing at a time when women were denied the vote and had no representation in Congress, Stowe used literature as her political voice.
Her most known work, Uncle Tom’s Cabin (1852), was a depiction of life for enslaved people in the mid-19th century. It energized antislavery forces in the North and provoked widespread anger in the South.
After Congress passed the Fugitive Slave Act in 1850, which punished anyone who offered food or temporary shelter to enslaved people who ran away, and following the loss of her 18-month-old son, Samuel, Stowe was inspired to write about slavery. She used the personal accounts of formerly enslaved people to write her antislavery novel, Uncle Tom’s Cabin: or, Life Among the Lowly. When it first appeared in installments in the abolitionist newspaper The National Era between June 5, 1851 and April 1, 1852, it met with hostility by slavery proponents.
Stowe expected that she would write the story in three or four installments, but she eventually wrote more than 40. The novel Uncle Tom’s Cabin was then published as a two-volume book in 1852. It was a best seller in the United States, Britain, and Europe and was translated into over 60 languages.
The book received both high praise and harsh criticism and propelled Stowe and the issue of slavery into the international spotlight. Slavery proponents argued that the novel was nothing more than abolitionist propaganda. In the South, and in the North too, people protested that the depiction of slavery had been melodramatically twisted. Southerners particularly promoted the idea that the institution of slavery was benevolent and benign. Responding to charges that the book was a distortion, Stowe published another book, A Key to Uncle Tom’s Cabin, which documented the actual cases upon which her book was based to refute critics’ claims that her work was fabricated and based on supposition.
Later, Stowe embraced woman suffrage and briefly considered an alliance with Susan B. Anthony and Elizabeth Cady Stanton, who tried in 1869 to recruit her to write for their newspaper, The Revolution. Stowe declined the partnership, but eventually developed a deeper empathy for the women’s rights movement and the activities of the suffragists. She wrote a series for the Atlantic, and in one installment, she wrote, “The question of Woman and her Sphere is now, perhaps, the greatest of the age....If the principles on which we founded our government are true, that taxation must not exist without representation, and if women hold property and are taxed, it follows that women should be represented in the State by their votes, or there is an illogical working of our government.”
Throughout her life, Stowe used literature to shape public opinion and leaned on her own experiences as a woman and a mother. She was keenly aware of racial differences and regional customs, and it translated into her distinct influence on the American experience. Writing at a time when women were denied the vote and had no representation in Congress, Stowe used literature as her political voice.
This primary source comes from the Records of the Office of War Information.
National Archives Identifier: 535784
Full Citation: Photograph 208-N-25004; Harriet Beecher Stowe, circa 1870s-80s; ca. 1870s - 1880s; Photographs of Allied and Axis Personalities and Activities, 1942 - 1945; Records of the Office of War Information, Record Group 208; National Archives at College Park, College Park, MD. [Online Version, https://docsteach.org/documents/document/harriet-beecher-stowe, April 20, 2025]Activities that use this document
- American Authors and Historic Preservation
Created by the National Archives Education Team - Key Figures Who Worked to End Slavery
Created by the National Archives Education Team
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